Morris Engel photo in LOOKING BACK exhibit at PDNB Gallery

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LOOKING BACK

February 17 – May 5, 2018

Opening Reception: Saturday, February 17, 2018

From 5:00 – 8:00 PM

For Immediate Release, DALLAS, TX:

PDNB Gallery has selected photographs by artists working pre-1950. This group of photographs includes street and documentary styles that became a prevalent part of modern photography. The term “Modern” encompasses many movements in Western art. Regarding Modern photography, the era of Pictorialism was no longer interesting. Straight photography was the emphasis after 1910.

Photographs from the turn-of-the century will be featured as well, including examples of Pictorialism.

Selections illustrating these decades include photographers: Alfred Stieglitz, Frank Meadow Sutcliffe, Peter Henry Emerson, Ralph Steiner, Karl Struss, George Seeley, Morris Engel, Ruth Orkin, Harold Feinstein, Arthur Rothstein, Jack Delano, and Andre Kertesz.

Alfred Steiglitz is perhaps one of the most notable artists in the 20th Century, not only because of his own photography, but he is known for his gallery, 291, and his exquisite Camera Work publications. He promoted not only photography, but other media, including Georgia O’Keefe’s paintings. Most of the pre-1910 images in this show are by photographers that Stieglitz exhibited or published.

Both Jack Delano and Arthur Rothstein were employed by the Farm Security Administration (FSA) during the Great Depression. They documented sharecropper life, the poor farming conditions, and other facets of American life that illustrated the human condition. This documentary archive proved very useful at the time, and now.

New York City has been the center of attention for many photographers. Morris Engel, Ruth Orkin and Harold Feinstein observed many neighborhoods from Harlem to Coney Island, capturing ‘decisive moments’ of the day-to-day activities. A veritable kaleidoscope of timeless imagery was created, evoking a multitude of emotions.

This group exhibition will be located in the galleries opposite of the Peter Brown exhibition.

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